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Likewise, the politesse of the minuet is offset by a walking bass line that sounds more like Corelli than Couperin. The triple meter, balanced phrases, and two-part form of the Presto seem to signify the courante, although in its quicker Italian version rather than the more restrained French dance. The second and fourth movements both gesture toward the fugue, showing a particularly German preoccupation with counterpoint, although the lightness of the Allegro and the lyricism of the Largo are more Italianate in character.
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The opening bugle call from the first violin, however, is Handel’s own humorous touch. The stately rhythms, thickly ornamented with trills and tirades (flourishes), ground the overture in the French operatic tradition. Written between his Italian operas for the King’s Theatre and Covent Garden and his English oratorios, this smaller work for string orchestra opens nonetheless in a grand fashion. 5, is a travelogue of sorts, blending elements of diverse Continental styles in an effort to suit the cosmopolitan tastes of the London public.
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Born in Halle, he spent his early career shuttling between Hamburg, Hanover, Düsseldorf, Florence, Rome, and Venice, before settling more or less in London. It seems only fitting that someone equally comfortable with the London Philharmonic or an international jazz festival, as at home in Buenos Aires as he is in Los Angeles, should be surrounded on tonight’s program by his fellow cosmopolitans.Īlthough George Frideric Handel’s English was notoriously poor, he had French, Italian, and his native German to fall back on. It was an invitation from Dizzy Gillespie that brought him to the United States, where he also turned his talents to film and television scores and conducting. Raised in Argentina, where he returned in the 1950s to lead his own big band, he was educated at the highly traditional Paris Conservatory before setting out on his career as a jazz pianist and arranger, performing and recording all over Europe. Lalo Schifrin is a border-crossing musician in several senses.